วันอาทิตย์ที่ 29 พฤศจิกายน พ.ศ. 2552

Sony Ericsson C905 - Cell Phone Review

The Sony Ericsson C905 is a CyberShot phone equipped with a 8.1 megapixel camera that comes with a wide array of advanced photography functions. It embodies the true essence of multimedia and connectivity on the go with its powerful capabilities.

Let me start with the camera: The name cyber shot should give you a clear indication about the quality of the camera. The xenon flash and Carl-Zeiss lens have been synonymous to the cyber short cameras. The picture quality is absolutely great when compared to any other types in its class. Xenon flash means crystal clear photography even in pitch darkness.

The most outstanding feature of this phone would be the 8.1 megapixels picture solution with a spacious display screen size. The pictures taken with this camera will look great even after uploading it on your personal computers.

Apart from that, the camera comes with features like Smile Shutter, 16X digital zoom, Red Eye Reduction, Video Light with Stabilizer, Autofocus with Image Stabilizer, Face Detection, Photo Fix, Video Recording and lots more. The Sony Ericsson C905 promises a real photgraphy experience.

Check out the music features: Undoubtedly, the phone's audio quality is one of the better ones around. You can even use your MP3 files as your ringer tones. Apart from that, you can play the 3gp video files with the inbuilt media player. You can also use Bluetooth for a wireless stereo experience. These features are complemented by several audio and video applications.

Connecting to other devices and networks: Sony Ericsson C905 is WiFi compatible. You can store your files on the extended memory. Connecting to the computers with the data cable is quite easy with the USB port. Similar to smartphones, it enables quick transfer of data through Bluetooth.

Other connectivity features on Sony Ericsson C905 are aGPS, Synchronization, Modem, Wayfinder and Navigator, and Google maps. This device is DLNA Certified for quality assurance. You can connect easily to the networks in many different ways with this phone.

Organize yourself: Our lives could get chaotic unless we get it well organized. What better way to get our life organized than with the gadget which we carry in our pockets always?

Sony Ericsson C905 comes fully loaded with organizing features like Clock Timer, Notes and Task Reminder, Stop Watch, Phonebook, Alarm Clock and Calendar.

Other common features: More features of Sony Ericsson C905 include Sound Recording with Text and Picture Messaging along with emailing features.

The phone supports automatic screen rotation for hassle free and better viewing orientation. Other common features include Video Calling, Polyphonic Ringtones, Speakerphone and Vibrating Alert.

If you are considering a replacement for both your old camera and phone, this all in one device would be a natural candidate. For those who like their phone to look trendy, it is available in four colors namely Tender Rose, Copper Gold, Ice Silver and Night Black.




Sam Lee is a mobile enthusiast and runs the popular website Cellular Deals. For more cell phone deals and recommendations on choosing your next cell phone, go to => http://www.cellular-deals.com

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วันศุกร์ที่ 27 พฤศจิกายน พ.ศ. 2552

Learn Digital Photography - Which Digital Camera Is For You?

Before deciding on purchasing a digital camera, it is important that you set yourself a budget. This should happen before going online or visiting an electronics shop. It is just like purchasing any other large item else such as a computer. There are a lot of options, and you don't want to get stuck biting off more than you can chew, expense-wise. High-end cameras offer the great zoom, more extra features and more megapixels.

Having more megapixels doesn't mean you will have the great picture quality. Unfortunately these cameras can also take a huge bite out of your wallet if you are not careful. When you are starting out in the wide world of digital photography, it is easier to not spend a huge amount of money on the high-end SLR cameras. Look for cheaper, yet effective, compact digital cameras that are a lot easier to hold. The best thing to do is learn the basics with this digital camera and make sure you enjoy the hobby before spending the cash for higher-end digital cameras.

Some people don't really enjoy going on airplanes or helicopters, how do they take those spectacular aerial photos? Guess what you don't have to use planes or helicopters! Sometimes aerial shots on planes can sometimes get expensive unless you have a friend with a plane. Flying in a little plane around a city a couple of times can be quite frightening for some people. The little secret that few photographers know is: some "in-flight" photos are not actually taken from a plane. Quite the contrary, they are taken from a countryside or city vantage point. Being in the observation deck of a skyscraper will actually get you just about as high as a low flying plane would. Your photographs will look like aerial shots that were taken as you were flying around, but in fact you didn't even enter in any aircraft.

Fall is one of the most pleasurable times for photographers. It brings beautiful orange, brown, and red leaf colors. If you plan on traveling to take advantage of nature's yearly fireworks display, you need to ensure you get to your destination at the peak period to enjoy the best fall leaves. If you live in the US, the US Department of Agriculture has a website that displays fall foliage information by geographical area. Finding out the best times to visit areas is crucial.

A good place is New England. A well planned trip could be the best way to get some really extraordanary pictures. Information is updated as soon as conditions permit. If traveling is out of the question for you, check with your government agriculture website to see the best times. Good research results in spectacular pictures. Here is a good source for US photographers: The Foliage Network - http://www.foliagenetwork.com/

When you are taking fireworks photos a good location is always essential with your digital camera. As in any other type of digital photography, when shooting fireworks, composition is necessary. Before the show begins, find a good angle that will provide you with a clear picture of the upcoming fireworks. Having people in front of your camera is completely unacceptable, avoid it at all costs. Streetlights will fade out the fire works phenomenally; therefore it is best to avoid streetlamps. Basically finding the best possible shot, with few lights, few people and not against the law is difficult but doable. Sometimes have a view on a boat is helpful if the water is calm.

Sometimes taking photos at night is more difficult than it seems. Shooting photos at dusk may provide your camera with just enough light to take fantastic cityscape photos. The sky is decently dark at dusk, but not so dark to prevent some degree of sunlight entering your digital camera, making it easier to take hand-held photos that do not result all blurry due to 'camera-shake'. If you are looking for a superb nighttime photo, it would be better to consider taking your photos at dusk instead of in the pitch black of night. Dusk only lasts for an hour or so. Research your shot locations and time beforehand. Keep your eye on the weather in the location you selected and make sure its not raining the day you decide to go out.

When you are taking pictures of a parade it is best to not ruin time by trying to focus after every picture. It is best to shoot as many photos as possible during a parade, think about buying a focus lock. This keeps your shutter button held halfway down and don't completely release it after taking a photo. Or you might want to set your camera up for manual focus. This way, you can take several photos in succession, or use your camera's "drive" mode for multiple shots within a small range of time. This would enable you to take a bunch of photos without having to refocus for each shot and your digital camera should function much quicker. Though you may want to set up and refocus for certain special shots, other times you may have just as much fun continuously shooting as the action in a parade can happen very fast.

When you are taking digital pictures on sunny days, you must be careful. Sometimes the sun can completely damage your electronic camera. Taking pictures of sunsets and rises can be amusing and enjoyable, but pointing your lens directly at the sun may damage it. Try to keep your lens pointed a little bit away from the sun directly. There is a similarity between your eye and the camera lens, they both can see and both can be damaged by the sun. As a little kid your parents told you never to look at the sun or you will see spots. The same concept applies to your camera. When you are not capturing fantastic views, turn off your camera and store in someplace room temperature so you don't damage it. It is best and easiest to take photos in increments, and then allow your camera to relax by enclosing it somewhere cool.




Let me Dan Feildman, Author of "Your Guide to Digital Photography" answer your questions. Are you looking for answers about check out my digital photography basics

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วันพุธที่ 25 พฤศจิกายน พ.ศ. 2552

Medical Practice Marketing - All Doctors Need PR

Consumers want the latest style in automobiles, the latest fashions from Paris, and the cutting edge in technology. But patients are gun-shy about embracing experimental medicine or cutting edge technology when it comes to improving their health or enhancing their bodies.

That’s why doctors on the cutting edge in their area of specialty need public relations. The message of safety, convenience, and success must be conveyed because medical consumers are much more reluctant to be among the first to accept a new medical technique than are buyers of automobiles, computers, furniture or fashion.

Of course, sick people want to be treated with the very latest drug, equipment or method. They just don’t want to be the first! And so an innovative doctor introducing new equipment or a new treatment method needs the assistance of a public relations/marketing professional to be successful.

No one will agree to eye surgery without being convinced the procedure is absolutely safe. No woman will ever agree to breast augmentation or vaginal rejuvenation without feeling absolutely comfortable about the practitioner. The more sensitive the procedure the greater the need for public relations.

It has been my experience that a well-thought out and executed public relations/marketing plan will overcome reluctance by patients to embrace medical innovations. In my practice that certainly has been the case.

While working with prominent doctors over the past several years, I have developed successful marketing campaigns for plastic surgery, LASIK surgery, dental surgery, liposuction and BOTOX. Among the most successful methods is to arrange for radio, television and sports personalities to have the surgery or treatment free and then give testimonials on how great this new surgery or treatment has been for them. I’ve also arranged for endorsements by popular sports, TV and radio celebrities to help convince customers that it is safe and desirable to use the elective medical procedure.

One of my earliest medical clients, who serves as an insightful test case for the theme of this article, is the Windsor Laser Eye Institute (WLEI) founded by Dr. Fouad Tayfour who today is a household name in the Detroit-Windsor market.

But when the WLEI became my client Dr. Tayfour was not a household name in Southeast Michigan. The FDA had not yet approved laser eye surgery and so it was only available in Canada. Dr. Tayfour, a pioneer in Canada and the U.S., opened a clinic in Windsor across the river from Detroit. Thus, because of Windsor’s close proximity to Detroit, Dr. Tayfour wanted to reach out to the Greater Detroit metropolitan area.

While there was interest in laser vision as a substitute for prescription glasses or contact lenses, initially there was not a flood of traffic over the Ambassador Bridge to the clinic. People are very sensitive about their eyes and very hesitant about being among the first to embrace this revolutionary approach. What about side effects or complications down the road? How uncomfortable is the procedure? How long will the correction last? Will it damage my eyes? And added to these concerns was the fact that the procedure did not have FDA approval and was not covered by health insurance.

One of the first steps was to prepare a set of documents for a press kit to explain what the laser procedure involved, what the benefits were, and facts to overcome concerns about side-effects, pain, discomfort, etc. The press kits were distributed to television, radio and newspaper reporters, and to sports figures, talk show hosts, and other celebrities in the Detroit market. News reports were filed and radio celebrities began talking about this new procedure across the river. Dr. Tayfour then performed the procedure free of charge to sports figures, celebrities, and media personalities who then spread the word further. These well-known and respected celebrities also issued endorsements for laser vision. As part of this campaign I arranged for two laser vision surgical procedures to be televised live, which really had a positive impact on patients!

We created a buzz campaign and soon everyone was talking about laser vision and how wonderful it was. The trips became so frequent from Detroit to Windsor that when the immigration officials in the booth asked, “Why are you coming to Canada” and heard “to get laser eye surgery” they just waved them on by Dr. Tayfour then launched an intense television advertising campaign that cemented his status as a household word in the region. But the groundwork to that happening was a targeted media campaign and selected endorsements.

This was not just a classic textbook approach to media promotion and niche marketing where you tear out a page and cover the bulleted points. The media coverage particularly was successful because I have invested the hard time needed cultivating media contacts and establishing their trust. Now when they get a pitch from me, the editor/reporter trusts me and knows the facts presented will be accurate. If you don’t establish the relationship and trust first, your carefully planned press kit when landing on the editor’s desk will end up in the wastebasket within 20 seconds. PR is not about gloss and glitter; it’s about relationships and trust.

As part of cultivating media relations I regularly attend major media events in New York City where I have face-to-face meetings with journalists, editors, writers and producers from top national magazines, newspapers and radio/TV programs. I have successfully pitched such media outlets as 20/20, Prime Time, CNN, People, Good Morning America, Newsweek, Time Magazine, Dateline NBC, The View, Oprah's O magazine, Cosmopolitan, Fox News, Good Housekeeping, Newsweek to name a few.

The same things that worked for Dr. Tayfour also worked for:

 The TLC Laser Eye Centers of Michigan to arrange FOX and ABC TV coverage promote their new Custom LASIK procedure,

 Dr. Joseph Berenhotz, Director of the Laser Vaginal Rejuvenation Institute of Michigan promoting a new vaginal laser treatment covered by the Detroit Free Press, NBC and ABC TV in Detroit, and an Indianapolis TV station

 To promote Plastic Surgeon Dr. Gregory Roche of Bloomfield, Michigan, when he launched BOTOX in Michigan

 Media coverage and advertising for Dr. Fiander of the Farmington Laser Eye Clinic

 For laser plastic surgeon Dr. Lawrence Castleman I placed dozens of articles, and arranged TV and radio news coverage, and gained newspaper coverage for everything from Ultrasonic Liposuction to BOTOX for sweating, and hair transplants

 Targeted marketing for Cosmetic Surgeon Dr. Michael Gray when he launched an endoscopic breast augmentation program in Michigan

 And placed print articles and arranged TV news coverage on dental implants and a tooth friendly Easter Basket for Dr. Timothy Kosinski, DDS

(By the way, I never represented two LASIK surgeons or two plastic surgeons at the same time. My company and personal code of ethics does not allow representing clients who are in competition).

In addition to PR and marketing campaigns aimed at television, radio, newspapers, professional and trade publications internet marketing is very effectivce. One of the first things I check when meeting with new clients is whether they have a web site and how good it is at marketing their product, service or message. Nine times out of ten one of the first things we schedule is a redesign and revamping of the content to make the web site the viable marketing tool it should be.

With that done, I then strategically place electronic press releases and EzineArticles on the Internet and employ sound, state-of-the-art search engine techniques and drive traffic to the client’s web site. The increased traffic to the newly rejuvenated web site will subsequently result in phone calls or email inquiries to the client’s medical practice that then drives new traffic to the medical clinic.

Another technique that is key to promoting professionals in the medical fields is to establish the client as an expert in his/her field of specialty. The executive biography included in the press kit is geared toward promoting the client’s expertise. I also make sure that the client is listed as an expert in a valuable online expert service. Editors consult this service when looking for experts on developing stories. To gain an interview in a news story as an expert in the field is worth a pot of gold and that makes subscribers to this service, such as my firm, a valuable ally to the media by providing just what they need… an expert.

A major strategy in establishing a medical professional as an expert is to schedule interviews on television, radio, and radio talk shows. To do this the client must be equipped to deal with the media, and most clients are not skilled in being interviewed. Therefore, while the client’s web site is being boosted, and the press kit is being developed, I sign the client up with a well-respected media coach.

Media training will give doctors, dentists and surgeons the skills to learn how to use the media, not just to convey their message but to compel people to try the medical procedure or treatment plan. As a marketing expert, I can pitch a doctor’s story and line up a TV or Radio interview but the author won’t be able to amaze listeners and capitalize on the interview without being trained by a media coach

Before investing in a PR firm it is prudent to find a PR professional who knows his or her way around the newsroom and has body of work with successful medical placements in all forms of media. When shopping for a PR firm consider the following:

• Does the firm have a track record of medical and health placements?

• Does the firm have extensive media contacts and an ongoing relationships?

• Does the firm have a good reputation with journalists?

• Are the sample press kits from other medical clients professionally written?

At the end of the day, sign up with someone who can demonstrate the results you want. My clients have been featured by Good Morning America, CNN, ABC Nightly News, The New York Times, Nightline, TIME, PBS, Los Angeles Times, USA Today, Washington Post, Family Circle, Woman's World to name a few.




Scott Lorenz, is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with doctors and entrepreneurs to help them get all the publicity they deserve and more. Lorenz has handled public relations and marketing for numerous authors, doctors, lawyers, authors inventors and entrepreneurs since 1980 and is an integral part of the strategy for many doctors in their medical practice marketing. Learn more about Westwind Communications’ medical marketing approach at http://www.westwindcos.com/medical or contact Lorenz at scottlorenz@westwindcos.com or by phone at 734-667-2090.

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วันอังคารที่ 24 พฤศจิกายน พ.ศ. 2552

Taking Care Of Your Vision

It is so fascinating how far the eyes can see sometimes beyond the physical and the imminent. Imagine the colors of the world, the spirit of life all in pitch black. After 10, 20 or 30 years of your life you lived within the colors of the world. How would you feel if at the prime of your life you found yourself in darkness, going to be blind?

Blindness or vision loss has become a major public health concern in the United States in recent years. Over 3.3 million 40-year old or over Americans suffer blindness and loss of vision and it was predicted that this might reach to 5.5 million by the year 2020.

Eyesight killers are usually caused by age-related diseases such as cataract (clouding of the lens of the eyes), glaucoma, diabetic retinopathy and macular degeneration (deterioration of the macula – the structure of the eye that makes you see). In other situations, pregnant women are at a higher risk of eyesight problems due to unstable hormone levels, high blood pressure and diabetes.

It is wise that before any of these happens to you, proper care for the eyes should be strictly observed. The first thing you need to do is to identify the common risks that your eyes might encounter especially outside or if you are at work:

- irritants and corrosives;
- splashes;

- ultraviolet radiation from electrical work and welding;

- tree branches;

- dust and dirt;

- particles from cutting, drilling, digging and other operations;

- fibers from fiberglass and any other similar materials.

If you are a driller, welder or a carpenter, much care should be given to your eyes. First you have to apply the use of protective eyewear suited for your job and there are some ways you can prevent eye hazards from work or even at home:

- Separate dangerous operations and other work-related processes in isolated areas.

- Use of a good ventilation system may also control fumes and dust.

- Cover dusty surfaces.

- Ensure the proper keeping for sources of mists or vapors and fine dusts.

- Build glass guard around the machines to prevent flying particles and splashing of hazardous liquids.

- Install movable shields around lathes, grinders and similar machines to safeguard other workers.

- Make use of protective screens and wire mesh grids.

Moreover, the protective eyewear you use at work should be in perfect condition and should pass the set standards and these are:

- scratch-resistant and should have good quality;

- follow the international safety standards set for protective eyewear;

- good ventilation;

- can clearly see from the eyewear;

- does not obstruct your vision;

- can prevent harmful radiation going to your eyes;

- can follow your working position easily;

- light and can fit well to you.

Furthermore, your eyes can be protected not only from physical and external factors such as flying particles but also by eating foods that will strengthen your eyesight such as those rich in antioxidant minerals and vitamins. Another protection is through supplements that help in increasing the antioxidant levels, avoiding choices that contribute to a harmful lifestyle and by following and developing good habits.

Eye infections may occur so be sure to prevent the situation from happening by:

- Keeping a habit to wash your hands regularly.
- Avoid sharing your eye make-up with anyone else or your eye drops.
- Avoid touching the tip of the bottle of your eye drops so as not to contaminate it with germs.
- Do not wet your contact lenses with your mouth. Your mouth is where most bacteria and viruses are found and by using it, they can spread the bacteria and virus so easily in your eyes.

Other suggestions which you can apply in caring for your eyes are:

- Wear your protective eyewear in case needed in your work.

- Always wash your face and never leave your make up on when going to sleep.

- Wash your hands thoroughly before you touch your eyes.

- Be more careful in dealing with household products like detergents, bleach and other cleaners.

- In wearing mascara, always make sure that you replace it regularly and do not keep it in places with extreme temperature.

- Regularly have your eye check up.

- Do not use preservative free or natural cosmetics because these allow bacteria to live longer.

- Eat foods that are antioxidant and rich in zinc.

Keep on following all these and you are sure to continue enjoying the colors of the world even after you turn 40.




Lee Dobbins writes for http://vision.health-webzone.com where you can learn more about eye care and eye health.

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วันจันทร์ที่ 23 พฤศจิกายน พ.ศ. 2552

Selling is Not Natural - Market with Soul Instead

Do you find it challenging to discuss your fees or prices with potential clients? Does traditional sales language such as "front end," "back end," "up sell" - even "sell" - make you cringe?

If your answer is "Yes," this may be very good and I'll tell you why. But first rest assured that "YOU ARE NOT ALONE." In fact, you are in the majority. Why do you think selling is so hard? It's because selling is not natural - it goes against our desires to be genuine, to connect with others and to create authentic relationships.

Don't Worry: You Don't Have to Sell to Succeed

There is a key to getting your products and services out to a wider audience that will sky rocket your success. It is something that is 100% natural, more powerful than any sales pitch you could ever master and so effective that it leaves selling in the dust.

This key is not even in the same paradigm as selling. And here is an insider's secret - selling is becoming the dinosaur of our age. Before I get to this key, there are three pre-requisites for its effectiveness.


  1. You have to honestly believe in the value of your service or product.

  2. You have to connect with your innate desires to be in relationship and to serve. AND

  3. You have to be willing to be authentic.


Here's the Key You've Been Waiting For

The key is Soul Marketing.

When you market with soul, the relationship with the person in front of you becomes paramount and you have a desire to contribute to the quality of their life.

You become a gift bearer. You offer prospective and current clients your services, products, financial information and agreements. And you offer the gift of your authentic presence and attention. This natural key to success can be measured both in dollars and in soul satisfaction.

First, the real reason we are in business is to serve. As entrepreneurs, artists, speakers, writers or CEO's we do that by contributing to the abundance, fulfillment and joy of our clients.

Second, we each have a Divine Mission to fulfill. No one else can do what you do the way you do it. You may have the same product or the same service to offer but your way of offering it will be entirely unique. If you know what your Divine Mission is, wonderful.

Use this as the lens through which you do everything. If you don't yet know simply follow your passion for now and do what you love, what makes you come alive. You'll always be on the right track if you do.

And third, there is a specific population that you are meant to serve. You may have heard this called your target market, your ideal or your choice clients.

I call this population "your people." It is "your people" who are ready for your message, your services and/or your products. It is they who will connect with you and for whom you will make the biggest difference. And imagine this - they're looking for you whether they know it or not.

They will only find you, and you can only have the impact you are meant to have if they know about you and what you have to offer. A part of your job is to let them know. You were never meant to "sell" your services or products but to offer them in the spirit of love and service.

Then There's the Money

The money part of the transaction fulfills the universal principle of exchange. You discuss your prices and offer your invoices in the same spirit. It's a natural part of the relationship.

Money is simply an exchange for value given. It allows people to invest in themselves and in what matters most to them. And it allows you to care for yourself and get your services and products out to a wider audience - to serve and to have a greater impact. So forget selling! Market with Soul instead by creating relationships - letting people get to know you and what you have to offer. You have a mission; you have a unique message, services and products; and you are meant to serve. Market with Soul and you'll have the time of your life.

Step Into Your Greatness and Market with Soul: Succeed in a soul satisfying way, without selling.




Reggie Odom CPCC, PCC, founder of Inspired Works, is known as the Passion and Authenticity Coach. She is a lecturer at the Simmons College School of Social Work and faculty member of the National Institute of Whole Health. Reggie is considered a master teacher and unforgettable speaker. She inspires and empowers professionals and solopreneurs to create a passionate, authentic life and business! She can be contacted at (617)524-6153, reggie@reggieodom.com, or you can visit her web site at http://www.reggieodom.com

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วันอาทิตย์ที่ 22 พฤศจิกายน พ.ศ. 2552

How to Photograph the Beauty Around Us?

"The painter draws with his eyes, not with his hands. Whatever he sees if he sees it clear, he can put down.... Seeing clear is the important thing." The book The Painter's Eye, by Maurice Grosser

Photographers have studied how painters have used light and colour and other techniques to create a masterpiece. Unlike painters, photographers have to know how to use a camera and the various tools associated with photography. If the photographer is not fluent in the use of his tools then no matter how well he sees the subject to be photographed, it'll be beyond his ability to craft an image that will do justice to the beauty in front of him.

How often a beautiful scene is photographed only to be a great disappointment when it is seen on a print. Why couldn't the photographer translate successfully what he saw? A good image is composed of many elements working together. In this article I'll analyse one important aspect. In future essays I'll cover other ingredients of a successful photograph.

Meanwhile, I'd like to elaborate the point that Maurice Grosser made and apply it to photography.

"Seeing clear is the important thing."

Seeing Photographically

For a photographer seeing clear means more than for a painter. To explain, let us imagine we're admiring a beautiful scene or moment in nature. The time is the early part of the afternoon when the sun's brilliance creates excessive contrast. As we observe the scene, we focus our attention on the deep shadows - we can clearly see detail and texture in there.

Next, our eyes move to study the high lights, these are the brighter areas of the scene - our eyes can also detect detail. Even though the scene is bathed in harsh light we can pick up meaningful information throughout the different tones.

We decide to take a picture. We raise our camera to eye level; by the way, in this example we're using the best camera money can buy. We carefully take note of the overall exposure and click the shutter.

When we see the photographic print we are disappointed; what's on the print doesn't do justice to what we saw. The shadows are pitch black devoid of any detail, the highlights are burnt out, meaning that the highlights have no detail, they are paper white.

Most photographers on the road to photographic fluency have likewise been disappointed. Why does this happen?

Yet, as Dr. Miller explains, camera film or digital sensor, "doesn't even begin to compare with the versatile sensitivity of the retina." With the same "film" we can see by moonlight or in sunlight 30,000 times more intense. Furthermore, the retina can discern fine details of an object part of which is bathed in light and the rest of which is in shadow. "The camera," explains Professor Guyton in his Textbook of Medical Physiology, "cannot do this because of the narrow critical range of light intensity required for proper exposure of film or sensor."

This explains the two versions of the same scene, what the photographer and what the camera saw.

Seeing as the Camera Sees

For a photographer, "seeing clear" requires seeing as the camera sees. The human eye and brain can detect detail over a very large dynamic range in comparison with the best cameras and films available. When confronted with a similar situation, the photographer has a number of important decisions to make if he's going to come away with a successful image.

If we don't learn to see how the camera sees, we'll end up with mishaps, such as the proverbial pole appearing to grow from someone's head. In this instance, to the photographer the pole didn't appear to come out of the person's head because his two eyes allowed him to see that there was distance between the pole and the subject. Binocular vision reveals the scene in three dimensions length, height and depth. On the other hand, the camera sees with one eye, its vision is flat; there is no depth.

Conclusion

There remains one simple exercise. When you reach the end of this paragraph, please raise your head from the computer screen and look around. Probably you're very familiar with the different objects in the room. Now, close one eye. In an instant separating objects and judging distances are not straight forward - you are now seeing as the camera sees - monocular vision.

As a camera focuses an image on photographic film or on a digital sensor, our eye focuses on the retina an image of what we see, (the retina is a small membrane that fits over the back of the eye. As thin as paper, it contains over a hundred million neurons arranged in different layers.)




Carlos Pereira received a qualification from the Institute of Professional Photographers. He developed a successful business in the UK as a wedding and portrait photographer. He received further training in the USA from Monte Zucker, a master photographer. He concentrates his photography as a traveling photographer selling landscapes and wildlife images from his website of Uk, Europe and Africa. His vision has been molded by the classic portaiture that was his business for a number of years.

website: http://www.mountain-light.co.uk

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วันเสาร์ที่ 21 พฤศจิกายน พ.ศ. 2552

Take Spectacular Nighttime Photos with your Digital Camera - Part I

Night photographs express a special something that cannot be seen in normal daytime photography. Whether it is a photograph of a moon and starlit sky over a windy deserted beach, the excitement of a downtown cityscape when the lights go on, or just a picture of you and some friends in front of a favorite hangout, nighttime photos, when done right, are sure to attract attention.

However, even for experienced photographers, nighttime photography can be a tricky situation. Photos often look unfocused, blurry, or lacking crucial details, and many may not come out at all. There are some tricks, though, to taking spectacular nighttime photos with your digital camera, tricks that can be explained yet only completely learned through practice.

This first part of a three-part series on nighttime photography will cover tricks not necessarily related to digital camera settings, but tricks nonetheless that can result in better photographs or a more pleasing photo-taking experience.

* Although more expensive digital cameras do not necessarily result in better photos, realize that the cheapest cameras may not be capable of taking great photographs at night. It requires more work, both on your's and the camera's part, to take spectacular shots in very low-light situations. Though you don't have to spend over a thousand dollars for night photography, don't expect too much out of a sub-two hundred-dollar camera, either.

* Especially if you are not completely familiar with your camera's settings to enhance nighttime photography, consider first taking some photographs around dusk, when the sun has not yet completely left the sky. Dusk photos can sometimes be even more dramatic than those taken in the pitch-black sky, as the added light helps illuminate details easily missed in a completely dark environment Check your local newspaper where you are shooting photographs or a website such as http://www.weather.com for sunrise/sunset times, and be ready to shoot around a 20-30 minute window for best results.

* Plan your photos before you shoot! While it is always a good idea to study an area first, this is crucial if you are planning on snapping photographs around dusk! You will not have much time to plan, and if you spend five or ten minutes just getting a perfect angle or framing the perfect shot, the overall lighting will change as the sun slowly sets. And of course, remember when composing your photos that the sun sets in the west.

* Be prepared for the environment. If you're heading out by yourself, especially in a semi-deserted wilderness area, always carry a map so you remember how to get to your home, camp, or hotel. Check the weather before you go and wear a poncho or coat if necessary. Carry a flashlight, or, in the most extreme environments, a flare, to help others find you if you become lost. Also, bring along a WELL-CHARGED cell phone in case of emergency! You're taking photos at night to have fun and create spectacular results. Be prepared for unexpected situations so they don't ruin your experience.

While the results can be outstanding, night photography presents its own unique benefits and hazards. Not just any digital camera will do; lower-end models may not have the capability of taking spectacular shots. Timing is crucial, especially when taking pictures in the brief time between dusk and total darkness. And, the environment and weather can play havoc with your plans. By purchasing the correct equipment, studying the subject area before nighttime falls, and dealing with unexpected situations with the correct nighttime gear, you can be better prepared to take amazing nighttime photos.




Copyright 2004 Andrew Malek.

Andrew Malek is the owner of the MalekTips computer and technology help site at http://www.malektips.com. Visit his digital camera page at http://malektips.com/digital_cameras_help_and_tips.html for more digital photography advice.

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วันศุกร์ที่ 20 พฤศจิกายน พ.ศ. 2552

Full Eye Contact Lenses For Fun? - Is it Really True Or Just a Myth?

What everyone these days desires is a completely different look just for fun. People dress up in entirely bizarre dresses to stand out in the crowd. But the real effect comes from changing the appearance of your eyes. The best way about this is by wearing those eerie full eye contact lenses.

Theses lenses cover the complete eye and not just the pupil part of it, as all the other contact lenses do. This gives the eyes of the wearer a uniform color.

The most popular products in this category are the pitch black and the pure white full eye contact lenses. These give the eyes a complete black or white appearance. These lenses are getting popularity day by day as they totally change the appearance of the person and give that freaky look which people enjoy at parties and when out for a prank.

When buying full eye contact lenses, remember that everyone has a different eye size. Unlike the simple contact lenses, which are designed to cover the cornea of the eye which is the colored part of the eye, any variation in the eye size will not make much of a difference, but in this case all lenses are supposed to be custom made exactly for your eye size, otherwise you might find them to be uncomfortable.

It is best to get yourself checked out by a reliable optician for your eye measurement before ordering a full eye contact lenses.

One thing to know about these lenses is that they are basically cosmetic in nature and they do not have any corrective power. They just change your appearance and that is about all. Some dark colored lenses even reduce your vision in the dark as the color has its effects, especially the pitch black ones. So keep these considerations in mind before you go for these lenses.




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วันพฤหัสบดีที่ 19 พฤศจิกายน พ.ศ. 2552

How to Buy a Wedding Dress

Desperate, with mere days left to my second wedding, I persuade my chic younger sister to help me find something discrete and sleek, not frothy and fluffy. Mimi lined-up Beverly Hills and Newport Beach shops, then kissed her finger-tips like a 5-Star Chef, "You'll have the perfect confection tomorrow."

The next day, filled with relief, and outfitted in pristine white pique and Chanel sunglasses I pick-up Mimi up in a shiny white convertible ready to zip this task off my to-do list.

"Slight detour," Mimi hops in wearing a pink shift, with her long blond hair in a ponytail. "The dog died and we have to pick it up at the vet's and bury it in Nana's backyard." Her charm bracelet tinkles as she slams the car door. "It shouldn't take too long." Mimi pushes in a Beach Boys CD and fast-forwards to, California Girls. I turn-on the ignition and look at her dumbfounded.

"What?" She shrugs. "He was a incontinent rescue dog who enjoyed a long, spoiled life." She surfs her hand out. "Go."

At the whitewashed cinderblock building, a teenager with an iPod and greasy hair pushes an aluminum cart to the car. Buddy the dog is on the cart wrapped in visquine and stiff as a silver drinks tray. His tail points out like the directional signal.

The fellow whistles to Jimmie Hendrix and angles the dog onto the small back seat, then gives the car two loud pats and us a half-salute.

We arrive at our grandmother's house and walk-in with the shrink-wrapped dog. "Don't you girls look lovely," Nana says, eyeing our package.

"We're off to Beverly Hills to find Suzanne a wedding dress. And, Buddy died." Mimi flips the stereo to Aunt Simmie's favorite Frank Sinatra record. "Since I don't have a yard, thought I'd bury him in that dirt patch by the alley," she nods out the picture window.

"Don't you dare!" Aunt Simmie rockets-up from the sofa and waves her just lit Menthol Cool. "Animals will dig it up!" she screeches.

"Simmie." I shake my head softly and use the half-pleading, reasonable coo reserved for crazy people and men. "We can't drive around with a dead dog in this heat."

"Oh, let them, Sim," Nana's tone underscored it's such a trifle. But then she'd let us bury Godzilla and Dick Cheney together if our dresses subtly referenced Jackie-O.

"The dog will dissolve into the water table! Is that what you want? Bits of Buddy floating in Father O'Reilly's daiquiri when he visits?" Simmie harrumphs realizing she's outnumbered. "Fine," she takes a drag off her cigarette. "Shovel's in the garage."

An hour later, dusty, disheveled and faintly scented with formaldehyde, Mimi and I stop for pasta in Westwood. She buys a Movie Star Map from a street vendor and studies it at the restaurant table as the waiter brings our wine.

"I've always wanted to do this," she giggles. "Hmmm. Cher, Barbara Streisand, Robert frickin' de Niro!" She turns the map over and knocks red wine across her dress and mine. Across from us Jacqueline Smith from Charlie's Angels offers me a "too bad" grimace.

Back in the car, with bright red splashes of wine across our bodices and resembling escaped extras from a soap-opera scene we weave through Bel Air, as Mimi navigates from the map. "James Stewart's house on the right, hmm. Oh, my god. Oh, my god, turn here, turn here. Blast! Turn around. I have to get a picture in front of Liz Taylor's."

"Liz Taylor? The Gloved One's number one amigo?"

"Oh, yeah, smirk now, but when they roll the obit," she holds up one finger after another. "National Velvet. Father of the Bride. Cleopatra, Cat on a frikin' Hot Tin Roof! I'll have a photo of me at La Liz's place, one of the truly greats."

We park down the street.

Mimi poses in front of the iron gates. "Don't get the wine stain. Oh! Damn-It!" For 20 minutes we trample flowerbeds seeking her contact lens until a dark-blue security cruiser pulls-up, and a mechanical voice advises us to move along.

Back at the car a citation waves in the windshield. "Bel Air Street Sweeping Day," Mimi reads. "Whoa," she whistles. "$227 bucks." I sigh, she clicks her seat-belt, and we take a leafy back-road over to Beverly Hills.

The salesclerks of Rodeo Drive have savant ability to calculate your probable net-worth, concurrent with their own commission potential, faster that you can clear their threshold. If your self-presentation includes formaldehyde, garden dirt and red-wine it'll earn a sniff that says, "I'd frown, except for the Botox."

After zipping, lacing, and fastening myself into thirty-two dresses at six different locales, I offer, "You know, Mimi, this a garden wedding not a Debutant Ball." She rolls her eyes and we're back in the car for the 90 minute drive to Newport Beach. We detour to Jolly Rogers on Balboa Island to refortify ourselves with burgers, fries, daiquiris and hot fudge cakes. Then with our optimism restored by alcohol, chocolate and grease we hit Fashion Island in Newport Beach.

Mimi storms the glistening glass shops like Generalissimo Franco. I follow limply like a Death March survivor thinking if my son weren't in Catholic school I could just live in sin.

I'm in the dressing room in a strapless bra and white bikini panties when she rushes in, a semi-frothy ecru number in her arms. She slips it over my head, smoothes it down, then turns me to the mirror.

A chorus of angels sings Hallelujah. Bluebirds fly in with beribboned bowers of baby white roses. Golden-pink light breaks through the sprayed asbestos ceiling. White butterflies kiss me on the cheeks, and fairies curl up my hair.

"A Miracle!" sighs Mimi.

"You need a bustier," says the sales lady with sensible shoes and dollar-signs in her eyes.

Wedding day arrives. My pre-ceremony relax in the tub went down the drain after a parking valet ran over the cat, my new bustier was MIA, the first guest arrived an hour early and managed to stop-up a toilet and heave-up her breakfast on the guest-bath floor. Then we all had to pitch-in after the florist flaked-out. Still, my parents' backyard was movie-set perfect when the violins, harps and flutes began to play as Dad and I stroll past one hundred guests in white chairs, toward a canopy of flowers.

I look up at my Gregory Peck-like betrothed with hope and anticipation. He smiles at the dress, "Elegant."

Then I realize that in this anxious, tenuous world, festivity and magic and celebrations are always worth the effort. I secretly pledge allegiance to the Froth Brigade as the audience leans forward to share in a dream.

"I do," I say. "I do."




© 2008 -Suzanne de Cornelia. All worldwide rights apply. This article may be reprinted on websites as long as the entire article, including website link and resource box below are included and unchanged. Suzanne de Cornelia is a freelance writer, and author of "French Heart." Contact Suzanne on Facebook, or Twitter @SuzanneDeC. And click-on her site now for a blogroll of free and fascinating resources: http://suzannedecornelia.com

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วันพุธที่ 18 พฤศจิกายน พ.ศ. 2552

Fun With Theatrical Contact Lenses

Contact lenses have generally been thought of as an aid for vision impaired people. They have always been an implement to help correct vision, but today's contact lenses are used for many different purposes and fooling or surprising friends and family is just one of those purposes. The designs available today is far greater than simply corrective lenses. They have floral designs, different colors, beastly and even comical.

Having fun with theatrical contact lenses is probably one of the most harmless ways to surprise your family and friends. You can wear them for fun or for dress up for Halloween, raves and even holidays such as 4th of July. Many of these contacts are made from the same materials, or very similar, as the prescription contacts therefore they are safe for you to wear any time. When Kiefer Southerland wore his vampire contacts in The Lost Boys they were thick and covered the entire eye so they could only be worn for three seconds at a time. His scene after Marco died was an honest to goodness cry due to the pain the contacts caused him.

Today's contacts are thin and flexible making them comfortable to wear for many hours. The designs that are available at many online retailers range from vampire to patriotic to completely black or completely white. Many actors have worn theatrical contact lenses like Vin Diesel in Pitch Black as Riddick. His contacts were a mirrored type of sun blocking lens. If you look close in his eyes, you can literally see a reflection of the person taking the photograph. Others such as the stars of Twilight and The Incredible Hulk used theatrical contacts as well. These are probably the movies that made most of these versions of freaky eyes popular.

Using these contacts can be fun, especially when others are expecting to see you beautiful green eyes and you look at them with animal teeth eyes. Manufacturers have gone to great lengths to design special lenses for just about every occasion. They even have some that are called hypnotic lenses because they are a black or red lens with a spiral of white or black leading into your pupil. An American flag would be the hit of the party at a 4th of July party and pink, yellow, red or blue glowing contacts would look great under the black light at a club.

No matter what reason you have for wearing them, theatrical contact lenses are fun to wear. Wear them as part of a costume or simply to change your appearance. You can buy these special contacts online at multiple retailers and eye care centers. There are also some mail order companies that carry them but you must make certain that they are made of approved materials. Some contacts can damage your eyes if they are not cared for properly so make sure you take care of them as you would a normal pair of prescription contact lenses. They must be cleaned after each use and kept in a solution to prevent them from drying out.




For more information about the various Theatrical Contact Lenses available, pay a visit to http://www.besttheatricalcontactlenses.com

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วันอังคารที่ 17 พฤศจิกายน พ.ศ. 2552

Industrial Enzymes

Historical background

Most of the reactions in living organisms are catalyzed by protein molecules called enzymes. Enzymes can rightly be called the catalytic machinery of living systems. The real break through of enzymes occurred with the introduction of microbial proteases into washing powders. The first commercial bacterial Bacillus protease was marketed in 1959 and major detergent manufactures started to use it around 1965.

The industrial enzyme producers sell enzymes for a wide variety of applications. The estimated value of world market is presently about US$ 2 billion. Detergents (37%), textiles (12%), starch (11%), baking (8%) and animal feed (6%) are the main industries, which use about 75% of industrially produced enzymes.

Enzyme classification

Presently more than 3000 different enzymes have been isolated and classified. The enzymes are classified into six major categories based on the nature of the chemical reaction they catalyze:

1. Oxidoreductases catalyze oxidation or reduction of their substrates.

2. Transferases catalyze group transfer.

3. Hydrolases catalyze bond breakage with the addition of water.

4. Lyases remove groups from their substrates.

5. Isomerases catalyze intramolecular rearrangements.

6. Ligases catalyze the joining of two molecules at the expense of chemical energy.

Only a limited number of all the known enzymes are commercially available . More than 75 % of industrial enzymes are hydrolases. Protein-degrading enzymes constitute about 40 % of all enzyme sales. More than fifty commercial industrial enzymes are available and their number is increasing steadily.

Enzyme production

Some enzymes still extracted from animal and plant tissues. Enzymes such as papain, bromelain and ficin and other speciallity enzymes like lipoxygenase are derived from plants and enzymes pepsin and rennin are derived from animal. Most of the enzymes are produced by microorganisms in submerged cultures in large reactors called fermentors. The enzyme production process can be divided into following phases:

1. Selection of an enzyme.

2. Selection of production strain.

3. Construction of an overproducing stain by genetic engineering.

4. Optimization of culture medium and production condition.

5. Optimization of recovery process.

6. Formulation of a stable enzyme product.

Criteria used in the selection of an industrial enzyme include specificity, reaction rate, pH and temperature optima and stability, effect of inhibitors and affinity to substrates. Enzymes used in the industrial applications must usually tolerant against various heavy metals and have no need for cofactors.

Microbial production strains

In choosing the production strain several aspects have to be considered. Ideally the enzyme is secreted from the cell. Secondly, the production host should have a GRAS-status. Thirdly, the organism should be able to produce high amount of the desired enzyme in a reasonable life time frame. Most of the industrially used microorganism have been genetically modified to overproduce the desired activity and not to produce undesired side activities.

Enzyme production by microbial fermentation

Once the biological production organism has been genetically engineered to overproduce the desired products, a production process has to be developed. The optimization of a fermentation process includes media composition, cultivation type and process conditions. The large volume industrial enzymes are produced in 50 -500 m3 fermentors. The extracellular enzymes are often recovered after cell removal (by vacuum drum filtration, separators or microfiltration) by ultrafiltration.

Protein engineering

Often enzymes do not have the desired properties for an industrial application. One option is find a better enzyme from nature. Another option is to engineer a commercially available enzyme to be a better industrial catalyst. Another option is to engineer a commercially available enzyme to be a better industrial catalyst. Two different methods are presently available: a random method called directed evaluation and a protein engineering method called rational design.

Enzyme technology

This field deals with how are the enzymes used and applied in practical processes. The simplest way is to use enzymes is to add them into a process stream where they catalyze the desired reaction and are gradually inactivated during the process. This happens in many bulk enzyme applications and the price of the enzymes must be low to take their use economical.

An alternative way to use enzymes is to immobilize them so that they can be reused. Enzyme can be immobilized by using ultra filtration membranes in the reactor system. The large enzyme molecule cannot pass through the membrane but the small molecular reaction products can. Many different laboratory methods for enzyme immobilization based on chemical reaction, entrapment, specific binding or absorption have been developed.

Large scale Enzyme applications

1] Detergents

Bacterial proteinases are still the most important detergent enzymes. Lipases decompose fats into more water-soluble compounds. Amylases are used in detergents to remove starch based stains.

2] Starch hydrolysis and fructose production

The use of starch degrading enzymes was the first large scale application of microbial enzymes in food industry. Mainly two enzymes carry out conversion of starch to glucose: alpha-amylase and fungal enzymes. Fructose produced from sucrose as a starting material. Sucrose is split by invertase into glucose and fructose, fructose separated and crystallized.

3] Drinks

Enzymes have many applications in drink industry. Lactase splits milk-sugar lactose into glucose and galactose. This process is used for milk products that are consumed by lactose intolerant consumers. Addition of pectinase, xylanase and cellulase improve the liberation of the juice from pulp. Similarly enzymes are widely used in wine production.

4] Textiles

The use of enzymes in textile industry is one of the most rapidly growing fields in industrial enzymology. The enzymes used in the textile field are amylases, catalase, and lactases which are used to remove the starch, degrade excess hydrogen peroxide, bleach textiles and degrade lignin.

5] Animal feed

Addition of xylanase to wheat-based broiler feed has increased the available metabolizable energy 7-10% in various studies. Enzyme addition reduces viscosity, which increases absorption of nutrients, liberates nutrients either by hydrolysis of non-degradable fibers or by liberating nutrients blocked by these fibers, and reduces the amount of faeces.

6] Baking

Alpha-amylases have been most widely studied in connection with improved bread quality and increased shelf life. Use of xylanases decreases the water absorption and thus reduces the amount of added water needed in baking. This leads to more stable dough. Proteinases can be added to improve dough-handling properties; glucose oxidase has been used to replace chemical oxidants and lipases to strengthen gluten, which leads to more stable dough and better bread quality.

7] Pulp and Paper

The major application is the use of xylanases in pulp bleaching. This reduces considerably the need for chlorine based bleaching chemicals. In paper making amylase enzymes are used especially in modification of starch. Pitch is a sticky substance present mainly in softwoods. Pitch causes problems in paper machines and can be removed by lipases.

8] Leather

Leather industry uses proteolytic and lipolytic enzymes in leather processing. Enzymes are used to remove unwanted parts. In dehairing and dewooling phases bacterial proteases enzymes are used to assist the alkaline chemical process. This results in a more environmentally friendly process and improves the quality of the leather . Bacterial and fungal enzymes are used to make the leather soft and easier to dye.

9] Speciality enzymes

There are a large number of specialty applications for enzymes. These include use of enzymes in analytical applications, flavour production, protein modification, and personal care products, DNA-technology and in fine chemical production.

10] Enzymes in analytics

Enzymes are widely used in the clinical analytical methodology. Contrary to bulk industrial enzymes these enzymes need to be free from side activities. This means that elaborate purification processes are needed.

An important development in analytical chemistry is biosensors. The most widely used application is a glucose biosensor involving glucose oxidase catalysed reaction.

Several commercial instruments are available which apply this principle for measurement of molecules like glucose, lactate, lactose, sucrose, ethanol, methanol, cholesterol and some amino acids.

11] Enzymes in personal care products

Personal care products are a relatively new area for enzymes. Proteinase and lipase containing enzyme solutions are used for contact lens cleaning. Hydrogen peroxide is used in disinfections of contact lenses. The residual hydrogen peroxide after disinfections can be removed by catalase enzyme. Some toothpaste contains glucoamylase and glucose oxidase. Enzymes are also studied for applications in skin and hair care products.

12] Enzymes in DNA-technology

DNA-technology is an important tool in enzyme industry. Most traditional enzymes are produced by organisms, which have been genetically modified to overproduce the desired enzyme. The specific order of the organic bases in the chain of DNA constitutes the genetic language. Genetic engineering means reading and modifying this language. Enzymes are crucial tools in this process.

13] Enzymes in fine chemical production

In spite of some successes, commercial production of chemicals by living cells using pathway engineering is still in many cases the best alternative to apply biocatalysis. Isolated enzymes have, however, been successfully used in fine chemical synthesis. Some of the most important examples are represented here.

13 A] Chirally pure amino acids and aspartame

Natural amino acids are usually produced by microbial fermentation. Novel enzymatic resolution methods have been developed for the production of L- as well as for D-amino acids. Aspartame, the intensive non-calorie sweetener, is synthesized in non-aqueous conditions by thermolysin, a proteolytic enzyme.

13 B] Rare sugars

Recently enzymatic methods have been developed to manufacture practically all D- and L-forms of simple sugars. Glucose isomerase is one of the important industrial enzymes used in fructose manufacturing.

13 C] Semisynthetic penicillins

Penicillin is produced by genetically modified strains of Penicillium strains. Most of the penicillin is converted by immobilised acylase enzyme to 6-aminopenicillanic acid, which serves as a backbone for many semisynthetic penicillins.

13 D] Lipase based reactions

In addition to detergent applications lipases can be used in versatile chemical reactions since they are active in organic solvents. Lipases used in transesterification and also used for enantiomeric separation of alcohols and separate racemic amine mixtures. Lipases have also been used to form aromatic and aliphatic polymers.

13 E] Enzymatic oligosaccharide synthesis

The chemical synthesis of oligosaccharides is a complicated multi-step effort. Biocatalytic syntheses with isolated enzymes like glycosyltransferases and glycosidases or engineered whole cells are powerful alternatives to chemical methods. Oligosaccharides have found applications in cosmetics, medicines and as functional foods.

Future trends in industrial enzymology

Industrial enzyme market is growing steadily. The reason for this lies in improved production efficiency resulting in cheaper enzymes, in new application fields. Tailoring enzymes for specific applications will be a future trend with continuously improving tools and understanding of structure-function relationships and increased search for enzymes from exotic environments.

New technical tools to use enzymes as crystalline catalysts, ability to recycle cofactors, and engineering enzymes to function in various solvents with multiple activities are important technological developments, which will steadily create new applications.




Dr. Prashantkumar Kudli Shrinivas has a vast industrial experience of Aroma chemicals, Essential oils, Perfumery and Flavour formulations. He is a permanent member of Indian Institute of Chemical Engineers & NMR Association of India.

E-mail: prashantkudli@yahoo.co.in

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วันอาทิตย์ที่ 15 พฤศจิกายน พ.ศ. 2552

Understanding Night Vision Technology

Anyone who has ever watched a movie or television show that involves warfare, surveillance, or covert operations is probably familiar with images seen when operating night vision devices. Does anyone remember the "The Silence of the Lambs" where Jodi Foster is being chased by her adversary in a pitch black basement? Or maybe you have used a unit yourself and are familiar with the illuminated images on a green screen, but have no idea how it all works. How are you able to see in the dark, and why does everything appear to be green?

There are two types of night vision that are typically used: 'image enhancement', and 'thermal imaging'. Image enhancement works by amplifying small amounts of light in order to see an image. The second type, thermal imaging, captures the heat of an object and projects it as an image. Image enhancement is commercially available and has the familiar green glow that most people are familiar with.

Image enhancement works by capturing visible and infrared light in an image intensifier tube. The light is captured by the objective lens, or the lens furthest from the user's eye, and is then sent to the image photocathode. The photocathode then turns the photons from the light energy into electrons.

Once the light energy is converted to electrons, they are paced through a plate made with fiber-optic technology called a micro-channel plate, or MCP. Once they have paced through the MCP they strike a screen that has been coated with phosphorus. As the electrons strike the phosphorous it releases green photons which are viewable to humans by looking through the ocular lens of the night vision unit.

Several generations of night vision technology have been invented since the inception of night vision. Each generation has brought an improvement in the quality of the image, while decreasing the amount of light that is needed to achieve that image. Generations 1 through 3 are currently available for commercial use.

People buying night vision devices should know that although generation 2 and 3 optical devices do offer much clearer images at lower light levels, the technology improvements enabling these images come with a price tag. While you can pick up a low magnification night vision scope for a few hundred dollars, you can also easily spend $3,000 for a top end 3rd generation unit. Discerning which one is right for you is really a matter of what you need the unit for and what you are willing to spend.

As night vision technology continues to improve you can expect the images that are projected to become even clearer, and the light requirements to decrease. You should also expect the price of later generation models to continue to decline.




Vincent Saponar lives in North Western New Jersey, and has been an avid birder and outdoorsman for many years. He owns many different binoculars and has considerable knowledge and expertise around not only binoculars, but other sports optics instruments as well, i.e., night vision devices and rangefinders. For more helpful information on binoculars and other sports optics instruments, I recommend visiting http://www.onesourceoptics.com

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วันเสาร์ที่ 14 พฤศจิกายน พ.ศ. 2552

White Contact Lenses Are Cool - What You Should Know Before Getting One For Yourself

In fact the most popular contact lenses today are the white contact lenses. They fall in the category of crazy contact lenses and are one of the gimmicks to freak people out of their minds.

The white contact lenses are quite similar to the pitch black contact lenses as they cover the complete eye and give the weirdest look to the wearer. The black ones do not look natural but these white contact lenses are so real in appearance as if the cornea of the person is missing and the person is blind or something.

These days there are several different versions of the white lenses available, like the white cat eye and the white zombie. They are also great to wear and give the wearer a real freaky look.

Actually these white contact lenses are so good that if you are wearing on Halloween you don't really need to wear anything else with that. They will be enough to scare out anybody out of his mind.

The white lenses are available in both the full eye and the one size fit all, the cornea covering version. Both are great and easy to wear but in case of full eye version, you will have to get your eye size checked as eyes also have different sizes.

So check on your eye doctor today and get your eyes checked for lens wearing. If you have any vision imparity you can still get these lenses according to your prescription.

But remember to take very good care of your lenses as this way you will be having fun for a longer time as lens care ensures longer usable period for your lenses and at the same time protects your eyes from any infection which a dirty and un disinfected contact lens would cause




The Author is an expert in article writing and has done a lot of research online and offline. Come visit his latest websites on Cheap Contact Lens and Acuvue Color Contacts

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วันศุกร์ที่ 13 พฤศจิกายน พ.ศ. 2552

Eye Doctor Finds Hidden Hazards From Blind Spots That Night Car Mirrors Produce

Most of us are still using the reducing prismatic rear-view mirror designs in our cars that we move to a different position at night. This adjustment greatly reduces the glare from the headlights of automobiles behind us. With the advent of xenon headlights, the illumination increased up to threefold making the glare even worse. Many cars now incorporate leveling systems to help reduce this problem but night glare is still a serious safety issue.

At night on a dark highway the eyes pupil is dilated to it's maximum size allowing more light to enter and more optical aberrations (curvature irregularities and imperfections) to degrade your vision when a car with bright headlights pulls up behind you. The recovery time after the night rod cells in the retina have had their pigment bleached out by all of the light can be daunting when driving 75 miles per hour on a pitch black road. Also, with aging, the optics of the eye have become altered and degraded.
 
In the 16th century the Venetians invented the method of making mirrors out of plate glass (glass that has parallel sides and does not change the size of what you are viewing). They achieved this by applying a thin film of mercury to the back of the glass. Today, automotive  mirrors are clear glass with  reflective coatings on the back that are not toxic.
 
Today, reducing prismatic rear-view mirror designs utilize a prism shaped piece of glass in front ot the mirror. This means the glass is thicker at the top than the bottom. In daytime alignment almost all of the light goes through the glass and reflects off the mirror giving you a clear view of the area behind you. This is a vast improvement from the early years of automobiles when hand held mirrors were carried at times. At night fall, the mirror is flipped so it is reflecting away from the eye allowing the lower level of reflections that arise from the back of a clear pane of glass to show up with greatly reduced intensity. The fact that these reflections exist in the first place is why we highly recommend anti-reflective coatings on most eye glasses today.
 
Last year I discovered a flaw in the current technology we use. In not anticipating the stoppage of traffic I was caught in the middle of a major intersection and could not tell for sure if there was a car behind me (more on that in a minute). After getting barked at  by a  police officer who had obviously had something else bothering him beside me blocking his progress I was given a choice. I could leave or I could go park on the shoulder and he would call someone from that precinct to come and haul me off.  I politely declined his offer to wait.  Several months later I was backing up in a parking lot and tapped another car. So lightly in fact that I didn't feel it, but my daughter insisted I had. We drove around the block and came back. As it turned out, somehow I had only bumped the tire of the car, no harm done.
 
Pondering these two incidents I had an epiphany; glare reducing rear mirrors used improperly can be hazardous. In fact, they may do a lot to make us more comfortable but I would like to find long term good studies on how they have effected accidents rates.
 
The issue in both instances involved a stopped vehicle with night mirrors and cars pulled up close enough behind that their headlights were not visible. I have tested this at night and it is a  frequent occurrence. The dimness of the refection from the glass plate which often is combined with a dirty rear window from winter sanded or muddy roads makes it extremely difficult to see the vehicle without the lights. In essence, night mirrors may actually create a blind spot under the right conditions.
 
The solution I use is to automatically flip the mirrors back to day when I park, and in high traffic, dark areas with slower traffic flow I may do the same. There is a trade off between glare recovery and overall reduction of vision that needs to be balanced.
 
The advent of mirrors that are electrically adjusted by light sensors is promising, and the new rear view camera systems will eliminate all of these pitfalls in the future. Until then, I highly recommend you flip your night mirror back to day when you stop,so you can see if you pull out again later in the night.

The best thing you can do for safe night driving is keeping your eye glasses or contact lenses prescription up to date with quality anti-reflection coatings and keep the car windows clean. See your eye doctor / optometrist for regular preventative eye care and drive until you are 100!




Do you need help with Pinkeye, dry eyes, glaucoma, contact lenses, Lasik Questions, nutritional eyecare needs or general eye care? If you live in Northern Colorado and are interested in what a Fort Collins Eye Doctors Office can do to help you let me know. If your have dry eyes that are gritty,sandy, burning and disrupting your life we are the Expert Fort Collins Optometrist Eye Care Center in Northern Colorado. Relief is on its way when you contact our patient centered office where your needs come first.

Central location for Fort Collins, Loveland, Wellington, Timnath,co, Windsor, LaPorte and Nothern Colorado at 181 West Boardwalk Suite 201. Parking couldn't be any easier!

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วันพฤหัสบดีที่ 12 พฤศจิกายน พ.ศ. 2552

Top Tips on Buying a Wire Binding Machine

Wire binding machines are becoming one of the more preferred forms of binding for booklets and reports. Wire binding machines, often referred to as twin-loop wire binding, use a special type of wire element to keep dozens to hundreds of sheets bound together. The tricky part of finding the right wire-binding machine is sifting through the different terms and determining which of the three wire binding hole formats is the right one.

To start, wire binding machines are available in three different hole formats / alignments. These are referred to commonly in the binding industry as the "pitch." The three pitches wire binding comes in are 3:1, 2:1 and Spiral-O. The 3:1 pitch format has three holes punched per inch of paper. The 2:1 pitch format has two holes punched per inch of paper. The Spiral-O format has a total of 19 holes along the 11-inch side of an 8 ½ x 11-inch sheet of paper.

These three different hole formats use three entirely different types of binding elements. These elements are not interchangeable between different format machines. The "pitch" terminology, with regards to wire binding, is probably the most difficult thing to learn. Once you realize there are three different punching patterns, and what they are, you are ready to start looking at individual machines. Be aware that, however uncommon, some wire binding machines include multiple punching dies that allow them to punch 2:1 & 3:1 or a combination of all three.

The pitch you choose depends on the look you prefer and how thick the books need to be. There is give and take between the punching formats. A 3:1 pitch has more holes, and thus more loops. Many people like the "tight" look of the 3:1 pitch. A 2:1 pitch, because the holes are spaced farther apart, is perfect for binding thicker books and allows the pages to turn more easily. The Spiral-O is a good format if you will also be comb-binding books. The 19-hole punch format of the Spiral-O wire is exactly the same as comb binding.

Once you have determined your preferred wire binding "pitch," you will need to determine how many sheets you want to be able to punch at a time and whether or not you want electric or manual punching in your machine. For high-volume jobs, it is usually recommended to go with an electric machine. Electric punches help cut down on fatigue. Manual punch machines are perfect for low- to medium-volume jobs.

Some wire binding machines feature something called disengageable or disengaging punching dies. This feature allows the user to selectively disable specific punches to accommodate odd sizes of paper. It helps to eliminate half holes on the edges of paper. If you only plan on punching and binding standard 8 ½ x 11-inch paper, this feature is not necessary.

Once the holes have been punched by the wire-binding machine, the binding element is inserted through the holes. The wire binding machine, by use of a wire closer, bends the wire-binding element shut. The end result looks professional. Most wire binding machines will include a wire closer. This is a great binding machine to use in a copy shop, college, school, church or business.



Many ask which brand or model is the preferred choice. While there is no "best" binding machine, the brand Akiles has grown a name for itself as some of the more reliable and dependable binding machines on the market. For more information on wire binding machines, please contact OfficeZone.com.

Dave Stuart is an industry expert on binding machines.

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วันพุธที่ 11 พฤศจิกายน พ.ศ. 2552

Projection HDTV - What Technology is Behind A Projection HDTV?

There are four main components to the Projection HDTV concept - the projector, screen, control panel, and the sound system. Each of these components can be purchased in one easy to install unit or individually. The main part of the set up is the projector. This is where all the system information is entered. There are two methods used to form the screen images. The most common is the LCD panel and the alternative is the reflective where a light is based off of a reflective chip.

Microelectromechanical systems (MEMS) is a digital micromirror that works with liquid crystals on silicon to cause the reflections to take place. Both of the methods are collected by the use of a lens. They are enlarged and then displayed on the TV screen. The transmittive and reflective projection in the projector is responsible for this process.

With projection HDTV the screen is very comparative to that found in a movie theatre. The control panel is a built in feature that you can control with the remote. There are core units that you can assess including a home theatre system and the video receiver. If you are using the projection HDTV in a conference room then the core will be the audio and your computer.

The projection HDTV speakers offer an advanced sound system that includes Home THX, Dolby 5.1 surround sound, and the Dolby Digital EX. The biggest selling projection HDTV on the market right now is the Samsung Tantus HCL473W. It features a 47" screen, auto focus, a fine pitch screen, and the 1,000 line resolution.




If you found this information on Projection HDTV useful, you'll also want to read about HD Plasma TV.

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วันอังคารที่ 10 พฤศจิกายน พ.ศ. 2552

How to Take Award-Winning Pictures - A Complete Guide

Nothing is as easy as writing about something and make it sound easy. Take this for example "Shoot the model with some nice light and make her pose with a natural smile - and you have a winner". Could be right next to the word "Easy" in the dictionary. If only life was a piece of written advice. Well, fear not - we will get down to business and get cranking with some real world tips and tricks of how to get great pictures.

First up we need to make sure we have what it takes:


  1. Camera

  2. Pen and paper (or laptop for the ones who have fear of papers)

  3. A friend or no fear of talking to one self

  4. Be ready to plan ahead - the cost is in not knowing what you need

  5. Photoshop or equivalent application for editing our masterpiece

Start with the camera - check if the battery is 100% loaded with juice. If not, put it in the socket that connects to a wall and let that baby recharge while we sit down with that paper and pen. Write down cool concepts - don't let real life get you down just yet - nothing is impossible at this stage. Right now you are Annie Leibovitz and the world is your oyster. Your imagination is your limit. Damn I'm starting to sound like that cheap "life-coach" tape stuck in the tape deck in the garage. But truly only the imagination is the limit here. Let it out. If you need inspiration think about contrasting subject - a giant in a class room or a colorful leaf in a black and white photo. Don't fall for the temptation to surf the web. The web is your enemy right now - can you spell unoriginal? Don't feel bad if you can't I'm just trying to make a point. There are gazillions of similar images on the web and you are not in the business of adding to the list and become a gazillion and one. Let the concepts grow on you, take one paper and use it to draw some figures, see potential angles for the image. Try another - is that even better? Cool go with that. Call a friend - a good friend that is ready to help out for no pay. Tell him/her your idea. Do you get the response you want? If not invite the friend over to help out with ideas.Good, now you might have (in your minds eye) a football-team of rhinos standing in a pretty line to buy lemonade, high noon, from a bossy little girl with freckles and a Leia hair due.

(Amazing how everyone thinks of that exact image huh?)  You think I'm going to shoot you down with your crazy concept? I'm not. Let's use this example to see how it could be executed.

For this image I would use:


  • 1 camera with a wide lens

  • 1 masquerade mask of a rhino head (a few dollars at tops if you give them the right to use the image one-time-only in the store)

  • 1 American football dress

  • A Suburb in the summertime

  • A girl with long hair (camera facing her back, over her shoulder where we see the lemonade table and the queue)

  • A table with a bowl of lemons and a pitcher.

  • A tripod

  • Photoshop

Put a guy (that friend you always help move but who never got around to help you move is prime for this job) in the mask and the football gear. Get the table and lemonade ready where it should be. Walk around holding up the camera or thumb and index-finger in a rectangle until you find the perfect angle. Put the camera there on the tripod. Make that sucker stand against wind and hurricanes with a big rock or something. Direct your assistant (that is the first friend you called - you might need to call him/her "creative director" but that's cool) to put things where you want them. Now you need to carefully put the camera in Manual mode and find a exposure that works in the whole image. If the sky is in the frame, you might take just one "OK" exposed frame of that and let the sky be over-exposed in the rest. But keep that "sky"frame! Take a picture of the "front" rhino where he gently puts a coin in the girls hand and she is holding his glass of delicious lemonade, with her other hand, teasingly far away until he pays up. Make sure your happy with that frame as it is the most important one. After that, direct your rhino friend to step one step back and hold a new pose, then one step back, and so on until you have a long cue of very hot (as in warm) rhinos standing in queue. Give the guy in the suit a pizza, thank the girl, pack up your table and go back to wherever you keep your computer. Open your RAW-files in Adobe Camera Raw (or your choice of RAW-processing application) and make the same "development" on all the pictures.

Then open them all as layers in the same Photoshop file. Put the First image (with the rhino-player giving coin) at the bottom, take the second in line and put it in 50 opacity - and start masking around the bottom layer. When the mask is top-notch put layer in 100% opacity again. Keep doing this until you have your award winning picture. Mask in the potential sky-frame. Done. total cost? Not more than 70 bucks. And you have an award-winning image. The real cost would have been 25 guys in Rhino/football gear. With Photoshop we eradicate that need but get exactly the image we want. There is no cost to developing photos - all you need is your brain, your hands, and some time to practice the pitch in the mirror before entering the costume store.




Linus Öhman is a Photographer and Entrepreneur living in Sweden. Having worked as a graphic designer and photographer both at large corporations and magazines and as a freelance for many years he recently started a network for "quick guides to the best of the best" with initial focus on photography. Websites:

http://www.mememe.se - The photographer page. http://www.mostawesomephoto.info - How to shoot like a pro.

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วันจันทร์ที่ 9 พฤศจิกายน พ.ศ. 2552

Advanced Birding and the Spotting Scope

Most of us begin birding with a field guide and a pair of binoculars. Yet, we eventually realize that certain situations demand our acquisition of a spotting scope. It may be that we find ourselves at the wetlands and can not quite tell if we are looking at a White Faced or Glossy Ibis. Or, we spot a raptor across the canyon and can not say if it is a Red Tail or some other hawk. Or, maybe, we just would like a better look at the Black Throated Green Warbler high up in the oaks.

Your advancement in birding does not mean you are becoming an elitist. Your expertise is growing and should be cause for celebration. Owning a spotting scope doesn't make you an elitist either. In fact, many manufacturers have improved their processes to accomplish advances in construction and image quality while making their product more affordable. The spotting scope is now considered as essential as the binoculars.

There are many elements in the choice of a scope. Many are personal preferences. One such is whether to buy a scope that is straight through (ST) or angular (AN) sighted. It is probably easier to find and focus on some distant bird using the ST configuration. With practice, one can adjust to an AN scope and become just as proficient. However, if you find that you are often in a group and sharing a scope the AN may be the better choice. You can set the height to the shortest person in the group and everyone can easily view whatever bird is the subject of inquiry.

Light gathering ability is a major consideration in a scope. Generally, the larger the objective lens the greater the ability to gather light. An 80 mm objective gathers more light than a 60 mm lens. However, with a larger lens also comes added weight and cost. For most of us, and in most circumstances, objective lenses in the 60 to 65 mm range are quite adequate.

The eyepiece, or ocular, can be fixed or variable. A 20x ocular is good for fixed eyepieces, but variable magnification are either 15x-45x or 20x-60x. The lower magnification on the variable ocular is used to locate and focus the bird while the greater magnifications can be zoomed in to gain detail for a sure identification.

Eventually, one has to make a decision as to what amount to spend. For those whose budget is limited the Cornell Laboratory Scope Quest 2008 becomes an excellent source of information and advice. Ken Rosenberg organized this event and compiled data on a number of scopes. In this, the Stokes Sandpiper Scope did quite well. Ken writes, "An even nicer surprise was the Vortex Stokes Sandpiper, which at $359 or less could be the best buy of any model we tested. This small, lightweight scope is fully waterproof, works well with eyeglasses, and provides an image nearly as nice up to 45x as the more expensive [models]."

Considering image quality, ease of transport, magnifications, objective lens size and, of course, cost, it all comes down to what fits your personal needs and preferences. Once you have made your choice, enjoy it to the fullest.




Roy Smallwood is the owner of Kingbirdfeeders.com. Roy began this enterprise after a 26 year career as a teacher of science. His love and enjoyment of the outdoors and birding in particular is the impetus for the company. He is an active member of the Central Texas Audubon Society. He encourages everyone to participate and enjoy birding whether in the backyard or in the field. Visit http://www.kingbirdfeeders.com and happy birding!

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วันอาทิตย์ที่ 8 พฤศจิกายน พ.ศ. 2552

Sony DSC-P150 Cybershot Review

Shopping on eBay has become a bit tedious of late looking for your sony digital camera. I stumbled across this Digital Camera website and they helped me purchase my new sony DSC-P150 sony cybershot. As you probably know ebay is one of the more popular places online purchases are made for digital cameras for both canon and sony cameras.

I have been a avid photographers mostly stills and black and white but I got tired of paying lots of money for film and decided that I would go digital. Since purchasing my new sony digital camera a could not be more happy. The Sony P150 is one of the worlds smallest 7 mega pixel digital camera and is a wonderful camera heres a few specifications of the sony. I recommend buying your new sony digital camera on ebay and bargainfindsonebay made it even easier filtering hundreds of auctions and only listing the more relevant digital camera auction I was looking for.

1/1.8" 7.2 Megapixel Super HAD™ CCD

Super HAD (Hole Accumulation Diode) CCDs provide excellent image quality by allowing more light to pass to each pixel, increasing sensitivity and reducing noise.

• 3X Optical/2X Digital/6X Total Zoom

Optical zoom helps you fill the frame with your subject for better pictures. And Sony’s Precision Digital Zoom helps bring your subject closer with an extra 2X magnification

• Live Histogram Display

Available in capture and playback the Live Histogram displays the concentration of pixels at each luminosity value making it easy to evaluate correct exposure.

• Selectable Focus Mode

Monitoring AF (Auto Focus) helps you anticipate the action by focusing even before you press the shutter release.

• Scene Selection Mode

With 9 Scene Modes, parameters can be matched to the shooting conditions. Choose from one of the following: Twilight, Twilight Portrait, Landscape, Soft Snap, Candle, Snow, Beach, Fireworks, or High Speed Shutter

• Pre-Flash Metering

With a momentary pre-flash, the camera illuminates the subject and sets exposure through the lens for accurate flash metering. Adjustable flash level and red-eye reduction ensure great flash shots.

• Memory Stick® Media and Memory Stick PRO™ Media from Sony

Digital. Powerful. Transportable.™ Memory Stick® media is compact, portable and rugged – connecting a variety of hardware and software applications.

• 5 Shot Burst Mode

Capture up to 5 shots (7MP fine) or up to 100 (VGA standard) at 1.1 frame/sec. even at 7 MP resolution. Perfect for high speed subjects or fast moving action such as sports

• Multi-Burst Mode

Captures 16 320 x 240 frames as part of a single 1280 x 960 image which plays back sequentially in the camera. Selectable 1/7.5, 1/15, 1/30 second.

• Conversion Lens Compatible

With VAD-PHB adaptor, you can add tele- or wide- conversion lenses for greater magnification or wider field of view, as well as protective and special effect filters.

• Cyber-shot Station™ Dock Compatible

Make transferring images and recharging the DSC-P150’s battery easier with the optional Cyber-shot Station™ camera dock. Just place the camera on the cradle for instantaneous power and computer connections.

• Rechargeable InfoLithium® Battery

Provides reliable, long-lasting power for continuous shooting, without “Memory Effect". The supplied AC-LS5 adapter/charger provides stable power for USB Transfer.

One of the most versatile sony digital camera on the market.

Stay tuned for some camera reviews by myself " Kyle Summers " your professional photography source.




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